Expert screenwriting tips by working screenwriters
If you have not already, please read the Nicholl Fellowship introductory article.
The How to Win a Nicholl Fellowship is a series of articles:
The Austin Film Festival asked this question to Greg Beal, Director of the Academy Nicholl Fellowships in Screenwriting; Franklin Leonard, Founder of The Black List; and AFF Screenplay Competition Director Matt Dy.
GREG BEAL: For me, Graham Parker’s song title “Passion Is No Ordinary Word” should apply to every story. If the writer truly cares about her story, her characters and the moments of true feeling she’s conveying, it appears on the page and on screen. If she can make her characters live and laugh and survive, then I have the opportunity to live through them, feel with them and learn from them.
FRANKLIN LEONARD: A beginning, middle, and end that keeps the audience interested in what happens next, elicits emotion of some sort of emotion (anything from fear to laughter to awe to sadness), and lives the audience viewing some aspect of their lives - no matter how small - differently than they did before being exposed to it.
MATT DY: A strong story is one that takes you on a journey without realizing it. When you’re reading a truly engaging script, the words fly off the page and you’re anxious to get to the next scene rather than thumbing through to see how many pages you have left. It’s easier said than done but it’s what every writer should strive for.
The Nicholl Fellowship team answered this burning question on their Facebook page:
No matter how we discuss or define the scoring criteria for the Academy Nicholl readers and judges, one criteria stands alone above all others - S-T-O-R-Y. Create a wonderful, intriguing story that causes readers to need to turn pages to find out what happens next - and you’ve written a script that will be noticed.
This isn’t to suggest that other criteria will be ignored when the story is good - as it is difficult to write an exceptional screenplay filled with an enticing story without engaging characters and dialogue, solid craft and execution and at least a modicum of originality - but some minor faults may be overlooked.
When we discuss story, we include a number of components - premise, subject matter, storytelling and conflict - and ask many questions, including but not limited to:
Reel Authors advise on this topic in multiple articles including:
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